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Highlights From The 47th Edition Of L-Għanja Tal-Poplu Song Festival

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Valletta city recently played host to the 47th edition of L-Għanja tal-Poplu, an annual song festival that celebrates the artistry and passion of the Maltese music scene.

This year’s event, held in collaboration with Pjazza Teatru Rjal and supported by the Arts Council drew significant attention with an impressive 142 original entries – a testament to its continued prominence in the cultural calendar.

L-Għanja tal-Poplu has a proud tradition of championing original Maltese songs, providing artists a platform to articulate their perspectives on contemporary Maltese society, share personal stories, and highlight both challenges and inspirations they encounter in daily life.

Several songs from this year’s festival have garnered particular attention:

  • Monokrom by Jean Claude Vancell, a self-composed piece, captured the Best Songwriter award. Written during a period of solitude, it beautifully juxtaposes the desolation of depression (represented by monochrome) with the hopeful journey towards finding colour and joy in life through the support of another.

 

  • Lon Kirkop’s poignant Għadu Ma Sarx, performed by Kelsey Bellante, took the prize for the Best Social Theme. The song bravely confronts the dark and often silent reality of domestic violence, giving a voice to the victims and those affected by this pressing societal issue.

 

  • The touching Katina, brought to life by Laura Bruno and penned by Paul Ellul, with Mark Spiteri Lucas’ music, ranked third. It’s an ode to people with special needs, drawing a parallel between humanity and a chain, where every individual, no matter their circumstances, plays an essential role.

 

  • Mark Spiteri Lucas and Debbie Scerri’s Meravilja, with Emil Calleja Bayliss’s poetic lyrics, secured second place. It’s a melodic reminder of life’s inherent beauty and the resilience required to navigate its unpredictability.
Debbie Scerri and Mark Spiteri Lucas

Debbie Scerri and Mark Spiteri Lucas

  • Topping the list was the evocative Il-Baħħ u Jien, performed by Christian Arding. Based on a true story, this song penned by Natasha Grima and Charlene Grech dives deep into the anguish of someone grappling with suicidal thoughts, shedding light on a topic that’s often enshrouded in silence.

Minister Owen Bonnici, in recognising the festival’s success and its role in promoting the Maltese language and culture, extended his congratulations to the winners, participants, and organisers.

With its rich tapestry of themes and narratives, L-Għanja tal-Poplu continues to be a beacon for Maltese musical talent, shining a light on the issues, dreams, and aspirations that resonate within the heart of Malta.

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