Paradise Lost: Painter Jade Zammit To Launch Debut Solo Exhibition In Valletta
Maltese visual artist and painter Jade Zammit is set to launch her first-ever solo exhibition at Valletta’s Malta Society of Arts this coming October, Paradise Lost.
Marking her debut, the show has been presented as an encapsulation of a personal exploratory journey, where she confronts the fragility of paradises, both real and imagined, that seem to be hanging by a thread.
Curated by Maria Galea and produced by Marie Gallery 5, it will be shown at the Palazzo de la Salle which houses the Malta Society of Arts, from 3rd to 25th October.
“How do these paradises unravel over time? What remains when the thread finally snaps, and the utopian visions dissolve into disillusionment?”
The works vary not just in form, but in their thematic undertones, reflecting the multifaceted nature of paradise itself—a concept that is as fragile as it is alluring.
Drawing upon the romanticised portrayals of non-European cultures, Zammit uses the Gobelin tapestries housed in Valletta’s Grand Master’s Palace as a foundational reference.
These 17th-century masterpieces, initially commissioned to evoke awe, mystery, and wonder, are reinterpreted through Zammit’s contemporary lens.
Inspired by the idyllic yet ultimately disillusioning scenes in Paul Gauguin’s Tahitian series and the decaying world of colonial Africa as depicted in Ben Okri’s ‘The Famished Road’, Zammit’s work weaves together threads of personal memory with broader themes of a deteriorating paradise.
Zammit’s work delves into the discomfort associated with the loss of the natural world, a paradise that, like the tapestries she references, is both beautiful and precarious.
Through an almost imaginary perspective, she evokes a deep sense of nostalgia, compelling us to reflect on the fragility of both personal and collective histories. How do we reconcile the idyllic pasts—whether personal or cultural—that have fragmented into unsettling realities?
Viewers are invited to journey through this exploration with Zammit, reflecting on her perceptions of paradise.
“Are we, too, holding on to something that is hanging by a thread? And when that thread snaps, what do we find?”
Zammit does not merely present a series of artworks; she offers a space to dream, to question, to reflect, and perhaps come to terms with the inevitable losses.
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Photo credits Jade Zammit photos in the studio: Anna Panasiuk
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